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[BRX]≡ Libro Songs of Kabir Kabir Books

Songs of Kabir Kabir Books



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Download PDF Songs of Kabir Kabir Books

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

Songs of Kabir Kabir Books

Kabir’s poems are truly fascinating because they form an interesting combination between Sufism and Hinduism. In this poetry collection you will find the well-known mystic metaphors depicting the transcendental bond between the mystic and God (the guru and the disciple, the Bridegroom and the bride, the Lord and the slave), the ecstasy or the longing for the presence of the Divine Teacher, Comrade or Fakir to whose feet the lover bows obediently.

But here the Lord is Brahma, who reveals Himself through Unstruck Music of the Universe, which can be heard only by illuminated mystics like Kabir, who detached himself from his ego, in order to let Love fill his heart. He found the Truth and realized that both material and spiritual world are as one because God is within everything and everything is within God. Therefore, Kabir’s Union with the Supreme Spirit is made through Love and not through Knowledge. As well as in Rumi’s poems, we find the recurrent theme of the ecstatic dance, but here, instead of the Whirling Dervishes, we have the Eternal Swing of the Universe which is “held by the cords of love” (Loc.161).

The poems are written in vernacular Hindi rather than in the literary tongue of the ecclesiastical class, they contain simple metaphors and symbols drawn from everyday life (e.g. the bird, the pilgrim, the weaver). As in the Persian poets’ mystic works, we find that Kabir’s name is placed towards the end of the poems, which symbolizes a kind of signature of the poet in Medieval Middle-Eastern poetry, a period when copyright laws weren’t invented yet.

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Product details

  • Paperback 166 pages
  • Publisher Ulan Press (August 31, 2012)
  • Language English
  • ASIN B00AYP8ZFI

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Songs of Kabir Kabir Books Reviews


To be able to read the words of a religious thinker from the 15th century is incredible! My suggestion is to initially skip the introduction, which is quite lengthy, and jump right into the verses. Then return later and read about Kabir's life as it is believed to have been. It takes a little practice to be able to flow with his style, but don't give up, set it aside for awhile and let your mind ruminate on the words, then return to the verses. I was amazed at his ability to 'see' God, Beloved, etc. in all facets of the world around him. And to understand at a deeper level than most people that everything from Him and about Him is love. I thank the people that are responsible for making writings such as this available and affordable to the everyday reader.
I love Tagore's writings -- they inspire peace and love. He did a wonderful job translating Kabir's writings -- but they are not the same as the writings in Tagore's Gitanjali. a group of poems that I carry around with me.
Beautiful translation that reflects real earthy love.
Most presentations of kabir cleanse some of Kabir’s rough edged and wild bounces. This translation conveys the intensity of Kabir. We have here an intensity akin to Van Gogh
The book is for the lovers of poetry n the poets like rumi. The foreword explains a lot to grasp the references through culture. Tagore himself was a great writer n noble prize winner. His translation of kabir s songs are like jewels itself.
Although poetry is not something that normally resonates with me, many of Kabir's songs did just that. Liked it so much that I ordered the book since I enjoy this format so much more than reading a screen.
I downloaded this free edition with some trepidation, expecting what I paid...nothing. Instead, as I became fascinated with Evelyn Underhill's erudite and detailed introduction to this edition, translated by the Nobel Laureate Rabindranath Tagore, I realised I'd stumbled on a gem.

The introduction is essential to gaining a deeper understanding of the lyrical, mystical poems that follow. Reading it again after one has read the SONGS OF KABIR deepens both the enjoyment of the introduction itself and the songs.

But it's in the ecstasy of Kabir's spiritual experiences as he struggles to share his transcendent experience of the Divine that make this book so excellent. As do the Psalms of King David, Kabir's works range across human emotions, from the depths of despair to the heights of an overwhelming love.

Kabir's faith and love of a Divine Being he experienced personally, in his ordinary life as a weaver, could not be boxed by traditional religions, and his impatience with rituals and rules that increase the distance between man and the Divine is clear ("...The Kazi is searching the words of the Koran, and instructing others but if his heart be not steeped in that love, what does it avail, though he be a teacher of men? The Yogi dyes his garments with red but if he knows naught of that colour of love, what does it avail though his garments be tinted?..." [Poem LIV]

The real heart of these poems - what speaks most clearly to the reader across the centuries - is Kabir's passion and adoration of the Divine Presence in his daily life. Not for this mystic the lonely mountaintop and isolation from the real world. The SONGS OF KABIR clearly reflect the inspiration and joy of a man who had discovered an essential Truth and who carried his God within his heart

"Living in bondage, I have set myself free I have broken away from the clutch of all narrowness. Kabir says I have attained the unattainable, and my heart is coloured with the colour of love." [Poem XLVIII]

Kabir was, indeed, a free spirit who had discovered the meaning of Love.
Kabir’s poems are truly fascinating because they form an interesting combination between Sufism and Hinduism. In this poetry collection you will find the well-known mystic metaphors depicting the transcendental bond between the mystic and God (the guru and the disciple, the Bridegroom and the bride, the Lord and the slave), the ecstasy or the longing for the presence of the Divine Teacher, Comrade or Fakir to whose feet the lover bows obediently.

But here the Lord is Brahma, who reveals Himself through Unstruck Music of the Universe, which can be heard only by illuminated mystics like Kabir, who detached himself from his ego, in order to let Love fill his heart. He found the Truth and realized that both material and spiritual world are as one because God is within everything and everything is within God. Therefore, Kabir’s Union with the Supreme Spirit is made through Love and not through Knowledge. As well as in Rumi’s poems, we find the recurrent theme of the ecstatic dance, but here, instead of the Whirling Dervishes, we have the Eternal Swing of the Universe which is “held by the cords of love” (Loc.161).

The poems are written in vernacular Hindi rather than in the literary tongue of the ecclesiastical class, they contain simple metaphors and symbols drawn from everyday life (e.g. the bird, the pilgrim, the weaver). As in the Persian poets’ mystic works, we find that Kabir’s name is placed towards the end of the poems, which symbolizes a kind of signature of the poet in Medieval Middle-Eastern poetry, a period when copyright laws weren’t invented yet.

[...]
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